Tag Archives: Film

She’s All That and a Bag of Popcorn

9 May

I fancy myself something of a film snob. I like foreign films exploring the meaning of life, bizzare independent films, and political documentaries. I use past awards and respected film critics as a guide to what to watch in the future. I haven’t seen last year’s esoteric The Tree of Life, but it’s next in line in our Netflix queue. Generally, I avoid movies heavy on action and special effects, and light on character, plot, and meaning.

So I can’t for the friggin’ life of me figure out why I keep experiencing this weird urge to rent and re-watch She’s All That, the 1999 romantic comedy starring Freddy Prinze Jr. and Rachael leigh Cook.

Click on it. I know you wanna.

The movie’s signature song, Kiss Me, above, has me by the balls. Tight. I listened to it three times while writing this. I could be walking through a department store or restaurant–or wherever!–and if that song comes on, I stop, tilt my head up and to the right just a little, and stare up into the grand nothingness, swept away to 1999, when the unattractive, unpopular, socially awkward artist, Laney Boggs, falls for Zack, the school jock, and he for her.

If you were walking along with me, you might grab my arm and try to shake me from my trance. “Mike, Mike. Hey! Wake up, what the hell’s wrong with you? You’re drooling like a rabid squirrel.”

Somewhere along the way (it has been a few years since I watched the magic), she gets a makeover that uncovers this stunning beauty. Wow, that scene: Laney walks slowly down the stairs in that red dress and Zack is looking up at her thinking “Whoa, I’m definitely gonna hit that tonight.” I always cry right there.

Rotten Tomatoes, one of the sites I use to determine the worth of a movie, gives She’s All That a 39% approval rating. Horrible. It has a 5.5 on IMDB. Pa-freakin-thetic. If it was coming out this week and Jennifer said “Hey, let’s go see that new She’s All There movie,” first, I would laugh and set her straight on the title. (Her constant flubbing of movie and song titles is a never-ending source of amusement.) Then after five minutes of research, I’d say “There’s no way I’m spending $30 to see that piece of garbage movie. Let’s stay home and watch Wild Strawberries on Netflix.

Then in 2015, I’d walk in on the girls watching it on TBS or some lame channel that plays commercials during movies. I’d sit on the couch and be sucked into the cool, rich essence of the most under-appreciated film ever released. I’d say “Damn Jennifer, why didn’t we go see this on the big screen back when it came out?”

If anyone out there owns a copy of this movie, let’s have a discussion about FedEx SameDay. I want to be watching it tonight. Get in touch asap.

“Phoebe in Wonderland” Made Me Cry

3 Feb

My wife and I watched Phoebe in Wonderland Monday night. I don’t want to write a normal, objective film review, because, well, others do it much, much better. Still, I’m driven to write a few words about what stood out to me, including mental illness in children, parental angst, and the performances of Elle Fanning, as 9-year-old Phoebe, and Felicity Huffman, as her mother, Hillary. If you haven’t seen the movie, Phoebe displays symptoms of what had me guessing was OCD, but later turns out to be Gilles de la Tourette syndrome. Phoebe is socially isolated because of her odd behaviors: spitting at kids, cursing uncontrollably, counting her steps, spinning, and washing her hands until they’re bloody.

Since I have a ten-year-old, I was sucked into this story and empathized with Hillary, who refused to acknowledge Phoebe’s self-destructive behavior as anything other than “kids being kids,” refused even the therapist’s diagnosis. “No, she doesn’t have that!” she tell him. We all want healthy, disease-free, kids. We want our kids to be happy. We want our kids to get along with other kids and to make friends easily.

Before Chloe came along, I doubted I would ever have children, feared they would inherit all the unwanted parts of myself: the social fear, the avoidance, the anxiety. Why produce a human being destined for misery? Also–and this turned out to be untrue, thank God–I feared I would be unable to relate to a little baby, a toddler, a young girl. What would I say to this strange little kid? I quickly realized that I could be myself around this little girl, then these two little girls, but no others, without feeling self-conscious.

Hillary also struggles with her identity, her role in the world. She is trying to expand her dissertation into a book, but she’s not currently writing. So is she a writer? She clings to that label and is scared to think of herself as “only” a mother. She blames herself for Phoebe’s unhappiness, feels guilty even attempting to write, because she’s distracted and has less time to give to her two daughters.

The best (and most heartbreaking) scene is where Phoebe tells her mother, through sobs and tears, that she can’t stop the behavior that keeps getting her into trouble. I cried during this scene. During a typical film-induced crying session, a single tear (maybe two) might escape a tear duct, but I remove it before it reaches the middle of my face. Easy! But here I couldn’t keep up with them. Jennifer cried too. On the screen I saw Chloe, in pain, crying to me. And Ainsley: What if some of her “bad” behavior–normal stuff for her age, but behavior I constantly try to stop–is caused by some muted, hidden mental quirk? So I sat there, with fear and misplaced guilt, crying.

I don’t know if the scene would have drained me so if not for Elle Fanning’s performance in it. I just watched the scene again and, again, it tore me up.

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Come on, Dang it, I Need Another Witty Title

1 Aug

Wow.

Being selected for the front page of WordPress = aaaaawesome. Or, I should say I was “freshly pressed.” (I can’t stress enough how perfect a name that is, I’m going to say it out loud to myself: Freshly Pressed. Love it!!)

Oh, and what a bonus being selected on a Friday and staying on the front page for three straight days. Amazing.

Obviously, this is great. Any blogger would kill for this kind of unexpected traffic, right? Yep, as soon as I figured out that my post was featured, I thought: Okay, this is it, I’m peaking right here and now and I will never again have this many people reading what I write…it’s all downhill from here…life sucks, and I mean it completely blows…I might as well hang it up, slide the damn dictionary back into place on the bookshelf.

Oh, and I also crack under pressure. I feel pressure to write superbly now, beyond what I’m capable of. Every word I write, including that last one, and that last one, and those last four, oh crap, I can’t keep up with my ineptitude. Every word is wrong or at least out of place. I must be perfeeeeeect.

Anyway, thanks to all who visited and left one of the several dozen great, encouraging, enlightening comments. I read every one and I want to reply to every one. I now know, without a doubt, that I am not a wuss for crying. You all even say that I’m more of a man for showing my emotions, and, you know what, I’m not going to argue with you.

So with this new knowledge I tried to cry during “Cats & Dogs: The Revenge of Kitty Galore,” but couldn’t shoot out a single tear. I was ready to stand up, rip the 3D glasses from my soggy face, and declare to the crowd: I’m a man, goshdarnit, and I can cry if I need to. I’ll just say that if you are a cop and you really love your canine partner (and butt-sniffing jokes), you will be a total tear fountain during this movie.

Still, it served its purpose: it entertained the girls. Ainsley, who is 5, even selected it as her favorite of the three flicks we watched last week. Chloe, 10, couldn’t pick a favorite; I picked “Ramona and Beezus.” I think we’ll take a break from the movies for awhile.

Well, time to publish this “freshly ignored” post. I found this to help others make it to “freshly pressed.” And now that I know how much fun it is, know what the requirements are, and actively try to accomplish it, I know sure as sh*! that it will never happen again.

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I Cry, Therefore I am (a wuss)

30 Jul

Me watching Ramona and Beezus

With Jennifer out of town until Saturday, the girls and I watched “Despicable Me” Tuesday night and “Ramona and Beezus” last night. We’ll probably go see “Cats & Dogs: The Revenge of Kitty Galore” late this afternoon.

My goal today, after failing two times this week, is to NOT cry like a wee-wussy-man in front of a bunch of kids. Yes, I cried during “Despicable Me” and I cried more than once watching “Ramona and Beezus,” a movie I was dreading and had no hope for going in.

In Ramona, when she has ran away from home and in her suitcase she finds the book that her artistically-inclined father has been doodling in, she realizes how much she is loved, then her family pulls up to the bus stop…it was all so predictable…so why did it get to me? A young girl behind us was sobbing loudly during this part. I wanted to turn around and look but I didn’t want her mother to see my tear-streaked face.

I spend half the movie gazing at my daughters, watching their expressions, and displaying to them (they look at me far less, believe me) mock expressions of shock, anger, or sadness at what’s happening on the screen. The key to my sensitivity is obvious–my strings are easily pulled. In both movies, a central theme was the love between a father and his daughters. Even in a mediocre movie, that stuff kills me.

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